(from Page27)
There are transformerless preamps, transformer-coupled preamps, preamps with monolithic op-amps, discrete op-amps, and tubes for the active gain elements. Within each category there can be a wide range of quality levels. Some transformers are much better than others. Likewise with transformerless designs. Some are intentionally designed to add a certain amount of distortion or color. Others are designed to be extremely accurate. Some work better with certain mics but not as well as others, depending on various design parameters.

There IS a major difference between preamps. The engineer should investigate. Aren't we incredibly lucky to have so many choices? Check them out!
John Hardy, President, John Hardy Company"

(Cub Reporter's reply: John, thanks for pointing out this obvious omission. I use my Hardy mic preamp for every overdub and because of its transparent sound, I'm guilty of forgetting it's there! Aren't we lucky to have the designer of the best damn mic preamp in the world as a member of EARS and the Chicago Recording Community? For those of you who might live under a rock, John Hardy manufactures the M-1 mic preamp which has gained the respect and praise of heavy-hitting engineers all over the globe.)

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